A Guide To The Most Significant Art Movements Of The

A Guide To The Most Significant Art Movements Of The Past 500 Years

Renaissance

The Renaissance meaning rebirth was a cultural movement that started in Italy in the fourteenth century and spread throughout Europe. In art the style of painting became highly realistic and attempted to mimic nature as closely as possible.

• What to look for: a rich threedimensional perspective human subjects in proportion usually wearing robes and making grand gestures and convincing representation of spaces.

Baroque

The term Baroque is often applied to art of the whole of the seventeenth century and first half of the eighteenth century. Painters expanded on the naturalistic tradition established during the Renaissance and extended their subjects to include landscapes and still life. Baroque painters often set their subjects in vast landscapes or interiors with extended views through doors windows or mirrors.

• What to look for: melodramatic spacesfat cherubs light rays and fruit bowls.

Rococo

Rococo was a decorative art that originated in France in the early eighteenth century and is marked by elaborate ornamentation with a profusion of scrolls foliage and shelllike forms.

• What to look for: paintings of the aristocracy at play asymmetry to composition many smallscale ornamental details and pastel colours.

NeoClassicism

During the Neoclassical period mid eighteenth century the work of the Greeks and Romans pre Renaissance became popular again and paintings depicted historical subjects.

• What to look for: paintings with sharp outlines cool colours armour spears and sandals.

Romanticism

Romanticism is assumed to be in opposition to Neoclassicism and the term used to refer loosely to a trend in art of the late eighteenth and early nineteenth centuries. It was characterized by the avoidance of classical forms and rules emphasis on the emotional and spiritual nostalgia for the grace of past ages and a fondness for exotic themes.

• What to look for: complex compositions intense colour soft outlines and heroic or scantly clad subjects.

Realism 1850 1880

Realism came about in France during the Industrial Revolution. Realist Artists attempted to create objective accurate detailed and unembellished representations of the external world based on the impartial observation of contemporary life. The name Realist refers to their subject matter; humble citizens doing everyday work and previously considered unworthy of representation in high art rather than mythical heroes Biblical or classical subjects and portraits of the rich.

• What to look for: paintings of poor people working.

PreRaphaelites 1848

The PreRaphaelite Brotherhood were a group of young English artists who rebelled against the style of the day that was being taught at the Royal Academy and other art schools. They felt the art was dark and muddy in colour and the subject matter artificial. They admired the work of the artists of the fifteenth century and their name the PreRaphaelite Brotherhood honoured the depiction of nature in Italian art before “Raphael”. PreRaphaelite artists believed art should have a serious moral purpose and often filled their work with symbols suggesting deeper meaning. Most of all they believed in artistic excellence. To give their paintings a lighter fresher look they used bright colours and painted on a white canvas rather than a brown one. While the PreRaphaelite Brotherhood lasted less than ten years as a group other artists carried on with the style which became broader and more muted in colour.

• What to look for: subjects taken from the Bible Shakespeare and the legend of King Arthur. Paintings exhibit meticulous detail intense colours tight handling of paint and complex compositions. Many works are highly realistic.

Impressionism 1860 1900

The Impressionists were a group of French artists discontent with academic teaching and who shared approaches and techniques. They abandoned traditional formal compositions in favour of a more casual and less contrived arrangement of objects within a picture. The identifying feature of their work was an attempt to record a scene accurately but without the use of traditional muted browns greys and greens in favour of a lighter more brilliant palette. They stopped using greys and blacks for shadows and used short visible brush strokes to produce flecks of unblended pure colours. They cast off literary and anecdotal subjects in favour of candid portrayals of ordinary people doing regular things in everyday locations landscapes and architecture. Indeed they rejected the role of imagination in the creation of works of art. Their name derives from a criticism of the first “impressionistic” work publicly displayed.

• What to look for: paintings look normal from far away but close up they are a bit of a mess. Also look for the same the same image painted two or more times under different lighting conditions.

PostImpressionism 1860 1905

PostImpressionist were not a cohesive movement and the style of individual artists vary. PostImpressionism was simultaneously an extension of Impressionism and a rejection of its concern for the naturalistic depiction of light and colour in favour of an emphasis on abstract qualities or symbolic content. PostImpressionists continued using vivid colours e.g. Czanne painted red grass thick application of paint and distinctive and visible brushstrokes.

• What to look for: You see paint first and the image second.

Abstraction

Abstraction is a generic term for art that does not represent recognizable objects. Abstractionist abandoned art as the imitation of nature in favour of imagery from the imagination and the unconscious. Abstraction comprised a number of different movements such as Fauvism Cubism Futurism Dada Surrealism and Expressionism.

• Fauvism 1905 to 1907 as a movement had no concrete theories. The name derives from the judgment of a critic who referred to the artists disparagingly as “les fauves” wild beasts. Fauvist artwork is characterized by distorted forms bold and vivid colours often applied unmixed and a spontaneity and roughness of execution. Fauvism was short lived and most practitioners became Cubists.

What to look for: You may say to yourself “I could do that.”

• Cubism 1907 to 1914 retreated from traditional perspective in favour of geometric forms. It attempted to achieve the illusion of threedimensional forms in a different way by showing many aspects of familiar objects all at once from many vantage points to create new combinations.

What to look for: You may ask yourself “What is it?”

• Futurism1909 was an Italian movement with the intention to reject tradition ideals and celebrate the aesthetic generated by the speed and power of the machine and the energy and restlessness of modern life. Futurists adopted the Cubist technique of depicting several views of an object simultaneously with fragmented planes and used rhythmic spatial repetitions of the object’s outlines in transit to render movement. Their preferred subjects were machines and urban crowds. Their palette was more vibrant than the Cubists’.

What to look for: You may ask yourself “What is it?”

• Dada 19161923 was initially a Swiss movement who channelled their revulsion at World War I into an indictment of the values that had brought it about. They were united not by a common style but a rejection of conventions in art. Through unorthodox techniques they sought to shock society into selfawareness. The name Dada itself was typical of the movement’s antirationalism. Various members of the group are credited with selecting the name for its childish and nonsensical connotations.

What to look for: You could be forgiven for not recognising a Dada exhibit as art e.g. Duchamp “improved” the Mona Lisa by drawing a moustache on her.

• Surrealism 1924 flourished in Europe between World Wars I and II and grew principally out of the earlier Dada movement and was similarly a reaction against the “rationalism”. It attempted to join fantasy and everyday reality to form a new reality and drew on the theories of Sigmund Freud that the unconscious was the source of the imagination. Many different forms of Surrealism developed including the realistically painted images of Salvador Dal.

What to look for: something that simultaneously looks real and unreal.

• Expressionism: was an art movement of the early twentieth century in which traditional adherence to realism and proportion was replaced completely by distorted colour and form to emphasize and express the intense emotion of the artist.

What to look for: dribbling drippy paint splattered on the canvas.

Portraits by John Burton

About the writer:  Portrait artist working mainly from clients’ own photographs.

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